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March 2008
Hello
Back to health and the only bug I’m submitting to is the travel bug, with the last month taking me from Amsterdam to Paris, to Berlin and Freiburg, Torino to Stockholm and even Derby and Cambridge in the fair old Great Britain.
The Githead tour on our little Gitmobile across Europe was mighty fun, driving an average of 1000 km a day slipping between city and city, rock and rolling to the very receptive crowds. Surviving on too little sleep, poor motorway food and free wi-fi whenever possible, we bonded through adversity, perversity and absurdity. People danced in Paris, headbanged in Koln and wouldn’t let us leave the stage in Amsterdam, so we intend to make this a regular punishment over the year!
Over to Stockholm with Sukhdev Sandhu for a rather extraordinary performance of our Night Haunts project, where Färgfabriken hosted our presentation in almost total darkness. Home to a terrifying installation by artist John Duncan during the daytime, we sat at one end of a gigantic industrial warehouse, in total darkness but for the reflection from a dim light bulb and monitor screen in the far distance where we were placed. The audience had to maneuver their way, as if blind, through the space towards us, with only the sound of amplified dripping water to entice and guide them. The restlessness of the night provided the inspiration for the words and sounds that they then experienced.
This month I’ll be participating in SPNM’s experimental music night, The Sound Source, at London’s Luminaire on 12th March. It will be an unusual and creative response to the work of the late Karlheinz Stockhausen. Headlining the event are Belgian pianist Daan Vandewalle, who will perform Klavierstücke I-IV, and drummer and percussionist Chris Cutler, who will join him for a version of Kontakte. I will then complete the line-up premiering a new work, Retuning Stockhausen, where I’ll be performing live on guitar solo with electronics for the first time in my life in front of an audience. It’s one thing to play guitar with a band, hiding in the ranks, it’s quite another to stand there alone, vulnerable and afraid!. Rounding off the evening we will team up to perform a newly commissioned tribute to one of Stockhausen’s hidden gems, Stockhoven/Beethausen. Should be a fun night out for all!
A free London show for anyone can be shared at the Barbican Centre on 8th March as part of Late Night Do Something Different, with a late bar for any fair drinkers and music, short films, workshops and live performances. I’ll be on stage live at 23.20 (well past my bed-time), after writer Julian Fox, comedy and sonnets from Ken Campbell and Pippa Evans, and my personal favourite - glow in the dark knitting – how can one resist attending?
I am soon off to Amsterdam to present my work as part of a series of lectures around the subject of Amateurism. We are submerged in slick, beautiful, highly produced creative work - in fashion, design and the arts. But perhaps even more inspirational than this are examples of ordinary people's creativity, which abounds in pieces ranging from cafe menus to flea-market brick-a-brack to funny emails. In fact, amateurism’s naïve passion often makes it of greater interest than “professional” work. I’ll be sharing some amusing stories and minor words of wisdom on this subject at the Amsterdam Academy of Architecture.
Also over in The Netherlands I will be showing a new film work at MU Gallery in Eindhoven NL this month too for a group show, Popshop. The show looks at the icons of mass culture in pop music, with artists Kathy Temin, Iain Forsyth & Jane Pollard, Cory Arcangel, Ho Tzu Nyen presenting works that riff on ideas of popular music. I will be premiering Soul in Reverse, a new audio/video work that explores the image of Michael Jackson in popular culture, reversing his public image so that he begins as a white soul singer and ends up as a black artist.
The month concludes in Moscow running creative workshops for sound enthusiasts and radio producers from all over Russia, and hopefully cakes at the Kremlin for tea.
Yes, it’s exhausting just thinking about it all.
Until next month
Best wishes
Robin
::: listen :::
Steve Roden: A Christmas Play (Ltd Edition)
Aleph-1: Aleph 1 (Ideal)
Autechre: Quaristice (Warp)
Ricardo Villalobos: Enfants (Sei Es Drum)
::: read :::
David Lynch: Catching the Big Fish (Tarcher)
Drew Daniel: 20 Jazz Funk Greats (Continuum)
City Slivers & Fresh Kills: Films of Gordon Matta-Clark (SF Cinematheque)
Aleksandar Dundjerovic: Cinema of Robert Lepage (Wallflower)
::: film:::
Lonesome Jim, Steve Buscemi, USA
There Will be Blood, Paul Thomas Anderson, USA
Be Kind Rewind, Michel Gondry, USA
Le Scaphandre et le Papillon, Julian Schnabel, FR
Exhibitions
Popshop
Remixing Icons of Mass Culture
MU Gallery Eindhoven NL
28 March - 04 May 2008
Group show of work that looks at the icons of mass culture in popular music, debuting Soul in Reverse, a new video work by Scanner that explores the image of Michael Jackson in contemporary culture, reversing his public image so that he begins as a white soul singer and ends up as a black artist. Other artists include Kathy Temin, Iain Forsyth & Jane Pollard, Cory Arcangel, Ho Tzu Nyen.
www.mu.nl
Night Haunts
By Sukhdev Sandhu
Design Mind Unit
Sound Design Scanner
Artangel Interaction invited
writer and historian Sukhdev Sandhu to write a nocturnal journal
unfolding over the course of 2006. His postings will appear sequentially
at this microsite specially designed by Mind Unit.
Sandhu's forays see him prospecting in the London night with the
people who drive its pulse, from the avian police to security guards, zookeepers
and exorcists. Acclaimed artist and musician Scanner has collaborated
with Sukhdev and Ian Budden of Mind Unit to compose the sound for
the site. If you would like to be kept informed as each episode is posted,
join artangel's mailing list by clicking
here .
www.nighthaunts.org.uk
www.artangel.org.uk
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Bittersweet Songs for the Sleepless City
Artangel Interaction
NightJam is the latest project in Artangel Interaction’s Nights of London
series of artist-led collaborations with people who have a special view on
a hidden side of the nocturnal city. Scanner invited young people at New Horizon
Youth Centre in King’s Cross to collaborate on a creative project that
expresses how the city at night looks and sounds to their ears and eyes. Through
music and voice workshops they explored the sense of freedom and fear, celebration
and solitude of the concealing darkness. Meanwhile, they captured their nights
on disposable cameras, taking images that are at times eerie, startling, contemplative
and funny. NightJam presents two elusive visual and musical journeys through
the city’s ‘quiet’ hours.
NightJam presents two music tracks, a film, photographs, that can be experienced
and freely downloaded. A limited edition CD is also being distributed for free
through the website. Now featuring remixes of
NightJam by Stephen
Vitiello, Hakan Lidbo, Troy
Banarzi, Si-cut.db and Pete Lockett.
www.nightjam.org.uk