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December 2007
Hello
This month began in a surreal manner.
I was woken up around 05.30 a.m. by loud scraping and scratching noises above me, which suggested that my upstairs neighbours had decided to move their furniture around for breakfast hour. However when I grew tired of the noises I looked out of my window and saw the torso of a man climbing onto my roof. Immediately I telephoned the local Metropolitan Police who impressively arrived within minutes with two police vans, promptly arresting the perpetrator.
Unfortunately I then had to sit there for almost two hours answering questions with the police officer who was keen to ask me about my expansive record and book collection, explaining that he had a mobile disco when he was younger. Then the forensic police arrived to fingerprint the area and take samples. And this is where the surreal element emerges - apparently it seems he was not actually interested in breaking into my apartment but in stealing my roof! It seems now that lead is such a valuable material with the massive building program in China that the price of metal has quadrupled in international markets. Lead has become a major target for organised gangs, such that even two pence coins here of a certain mint have a value of three pence if melted down because of their metal content and therefore there's a shortage of copper coins on the market. It's so very bizarre the world we live in sometimes :-)
Back to the creative world and I took part in the grand launch of the new Eurostar station at London’s King’s Cross St Pancras earlier this month. With over 36,000 visitors on the day itself one would imagine it would be an ambitious success. To be truthful I stood there behind my little bank of equipment in the freezing cold, questioning my role in this very extravaganza. All around me television and radio crews reported live on the launch, opera singers broadcast across the stations concourse, dancers wove their way around the crowds, and children’s choirs sang appropriate songs. However every time I performed I would alternate as a public information service; answering questions, directing people to the toilets, looking after lost property, whilst tapping keyboards on my laptop and waving my hands around in a performance fashion. When I had lost all feeling in my hands and feet I felt certain it was time to return home.
Kirikou and Karaba continues its successful shows in Paris and I was even passed congratulations and greetings from Johnny Depp directly who was very enthusiastic about my music which was a surprise. Pirates of the Caribbean The Musical for anyone? Scanner Lloyd Webber is ready with his eyepatch, jewellery and ship at the dockyard.
It was a month of premieres too. I opened Mariam in Paris with choreographer Christine Bastin, a new sixty minute dance work, then to Amsterdam for Let the Voice In, a new work based around William S Burroughs, using archive recordings and footage of the late writer collaged with hundreds of book covers and closing with some adult gay playful pornography. A typical night out really ?
I’ve just returned from the STRP festival in Eindhoven, an enormously popular media arts festival joining the dots between installation, music, projections, avant garde film and the dance floor, located at Strijp-S, a gigantic industrial area of no less than 24.5 hectares to the west of Eindhoven. For a long time, the buildings at Strijp-S were Philips property and off limits for ordinary mortals, where in the past nearly all Philips major breakthroughs in science and technology were invented, such as the audiocassette, and the video 2000 system. You can watch a video of my favourite little discovery there at my youtube page.
December brings me to Parma Italy for a night of minimal disco music, Romania for a presentation, endless festive parties and a chance to perhaps slow down and recharge for 2008, with an already busy year ahead. So I send you off into the colder nights of Europe with happy cheer and positive thoughts for the coming year.
Farewell until 2008!
Robin
::: listen :::
Bonnie 'Prince' Billy: Ask Forgiveness (Spunk)
Steve Jansen: Slope (Samadhisound)
Steinbruchel: Basis (Room 40)
Gavin Bryars: The Sinking of the Titanic (Touch)
::: read :::
Guy Deutscher: The Unfolding of Language (Random House)
Jean-Francois Augoyard: Sonic Experience (MQUP)
Patrick Carnes: Out of the Shadows (Hazelden)
Christian Marclay: Replay (JRP RIngier)
::: film:::
Persepholis, Vincent Paronnaud & Marjane Satrapi, France
The Long Goodbye, Robert Altman, USA
Requiem, Hans-Christian Schmid, Germany
Hotel Harabati, Brice Cauvin, France
Exhibitions
Night Haunts
By Sukhdev Sandhu
Design Mind Unit
Sound Design Scanner
Artangel Interaction invited
writer and historian Sukhdev Sandhu to write a nocturnal journal
unfolding over the course of 2006. His postings will appear sequentially
at this microsite specially designed by Mind Unit.
Sandhu's forays see him prospecting in the London night with the
people who drive its pulse, from the avian police to security guards, zookeepers
and exorcists. Acclaimed artist and musician Scanner has collaborated
with Sukhdev and Ian Budden of Mind Unit to compose the sound for
the site. If you would like to be kept informed as each episode is posted,
join artangel's mailing list by clicking
here .
www.nighthaunts.org.uk
www.artangel.org.uk
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Bittersweet Songs for the Sleepless City
Artangel Interaction
NightJam is the latest project in Artangel Interaction’s Nights of London
series of artist-led collaborations with people who have a special view on
a hidden side of the nocturnal city. Scanner invited young people at New Horizon
Youth Centre in King’s Cross to collaborate on a creative project that
expresses how the city at night looks and sounds to their ears and eyes. Through
music and voice workshops they explored the sense of freedom and fear, celebration
and solitude of the concealing darkness. Meanwhile, they captured their nights
on disposable cameras, taking images that are at times eerie, startling, contemplative
and funny. NightJam presents two elusive visual and musical journeys through
the city’s ‘quiet’ hours.
NightJam presents two music tracks, a film, photographs, that can be experienced
and freely downloaded. A limited edition CD is also being distributed for free
through the website. Now featuring remixes of
NightJam by Stephen
Vitiello, Hakan Lidbo, Troy
Banarzi, Si-cut.db and Pete Lockett.
www.nightjam.org.uk